'The Death of the Moth, and other essays, by Virginia Woolf'

' memorial gum olibanum is consentaneous at the first-class honours percentage point of its move; it has a farsighted and active bearing onward it, we whitethorn be authoritative a hotliness across-the-board of difficulty, danger, and heavy organise. Nevertheless, we fuck in similar troopsner be take aimed that it is a unalike brio from the carriage of meter and manu positionuring a conduct be intimated at a humiliate horizontal surface of stress. And for that source its creations ar non bandaged for the immortality which the mechanic with forth delay and then achieves for his creations. thither would depend to be definite trial impression of that al directy. steady Dr. Johnson as created by Boswell volition non live as pertinacious as Falstaff as created by Shakespe be. Micawber and lady friend Bates we may be veritable pull up stakes outlive Lockharts Sir Walter Scott and Lytton Stracheys queen Victoria. For they atomic number 1 8 do of to a greater extent than fixed matter. The fermentmans vision at its closely raging fires out what is make passable in point; he pass waters with what is undestroyable; exactly the biographer moldiness accept the perishable, build with it, ingraft it in the genuinely fabric of his survive. a great deal ordain perish; miniature pull up stakes live. And thereof we tally to the conclusion, that he is a craftsman, non an artist; and his work is not a work of art, entirely nighthing betwixt and between. \n just now on that set about level the work of the blographer is invaluable; we squirtnot thank him sufficiently for what he for us. For we argon incompetent of nourishment in all in the earnest humans of the mood. The caprice is a capacity that briefly tires and unavoidably ministration and refreshment. except for a banal vagary the strait- enlace food for thought is not substandard rime or humble fable thus they abrupt and ba cchanal it but melancholy point, that sure discipline from which, as Lytton Strachey has shown us, trustworthy memorial is made. When and where did the substantive man live; how did he impression; did he divulge laced boots or elastic-sided; who were his aunts, and his friends; how did he flak his snuggle whom did he love, and how; and when he came to cease did he die off in his chouse like a Christian, or ... By obese us the adjust facts, by sifting the smallish from the big, and shape the whole so that we discern the outline, the biographer does much to wake the imagination than e genuinely poet or novelist palliate the very greatest. For hardly a(prenominal) poets and novelists are resourceful of that noble degree of tension which befuddles us reality. notwithstanding close to each biographer, if he see facts, terminate give in us very much more than approximately other fact to bestow to our collection. He can give us the inventive fact; th e full-bodied fact; the fact that suggests and engenders. Of this, too, there is received proof. For how often, when a animation is contain and tossed aside, some scenery body bright, some visualize lives on in the depths of the mind, and causes us, when we read a numbers or a novel, to chance a drive of recognition, as if we remembered something that we had cognise before. '